![]() ![]() This approach has resulted in the perfect restoration of the grain, color, contrast, and saturation of 60 legendary color and black & white films, with an authenticity that has been recognized by today’s greatest photographers. To accurately reconstitute the characteristics of such traditional films as Kodak Ektachrome, Fuji Superia, and Agfa APX, DxO Labs adopted a scientific approach based on taking photos with analog films, having those films developed at highly-reputable professional laboratories - PICTO in France and Duggal in the United States - and following a rigorous digitization process. Thanks to DxO Labs’ exclusive calibration technologies, DxO FilmPack 4 offers a palette of faithfully-rendered analog film simulations with an unrivaled level of quality in the field. With DxO FilmPack 4, photographers can apply to their digital photos all the characteristic color, contrast, and grain of analog films that made photographic history, along with many original looks, filters, tonings, and visual effects - all of which can be infinitely combined and customized.įor legendary photographer Sebastião Salgado, “DxO FilmPack represents an indispensable step in my photographic process.” DxO FilmPack has allowed him to find an exact digital rendering of his beloved Kodak Tri-X film.Īvailable in two editions, Essential and Expert, a single DxO FilmPack 4 license can be used as a plugin for Adobe Photoshop, Adobe Photoshop Elements, Adobe Photoshop Lightroom, Apple Aperture, andĭxO Optics Pro, and as a standalone application for Mac and Windows.ĭxO FilmPack 4 is now available in DxO Labs’ online store ( ) and at photo resellers at a discount through June 30, 2013. DxO FilmPack 4 adds 65 even more aesthetically-pleasing renderings and stunning new effects to help photographers give their photos greater emotional impact as well as a unique style, whether in color or in black & white. J– DxO Labs announces the immediate availability of DxO FilmPack 4, a major new version of its popular analog film simulation and creative effects software. Special introductory discount through June 30, 2013. Praised by professionals for the authenticity of its renderings, DxO FilmPack reinforces its reputation as the software of reference for creative photography. Press Release DxO FilmPack 4 analog film simulation software adds 65 new renderings and creative effects Available in two editions, Essential and Expert, a single DxO FilmPack 4 license can be used as a plugin for Adobe Photoshop, Adobe Photoshop Elements, Adobe Photoshop Lightroom, Apple Aperture, and DxO Optics Pro, and as a standalone application for Mac and Windows. FilmPack 4 adds 65 'even more aesthetically-pleasing renderings'. with PL’s Prime and DeepPrime denoise settings it’s noticeably clearer / betterĪnd as already said, FP6’s output needs separate denoising, I applied Nik DFine in automatic mode to denoise the (equivalent) PL HQ output – resulting in a comparably ‘noisefree’ rendition, but visibly softer than those from the much younger algorithms Prime and DeepPrime.DxO Labs has announced availability of FilmPack 4, the fourth version of its film-simulation software.with PL’s HQ denoise setting the result is about equivalent to FP6 denoise. ![]() With that I skipped further experiments with the raf-file.Ĭomparing the nef-file output from PL5 and FP6 (at 200/300 % to easier visualize) ![]() Started with the Fuji-file, but realized (after different trials), that while PL’s optical corrections worked, there was none in FP6, which also led to some differences in brightness. – That is, I did not check any film and/or grain simulation. To not introduce individual settings with PL5, I chose Optical Corrections only and tried the different denoising optionsĪnd compared with the ‘flat’ output from FP6, only Denoise activated. Ok, I tried to find a (hopefully) noisy raw-file to see if everything is working and to compare denoising. … Here’s a comparison between FP6 (right) and PL5 left).
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